1793-1856 Thomas Doughty (July 19, 1793 ?C July 22, 1856) was an American artist of the Hudson River School. "Gilpin's Mill on the Brandywine" attributed to Thomas Doughty circa 1827Born in Philadelphia, Thomas Doughty was the first American artist to work exclusively as a landscapist and was successful both for his skill and the fact that Americans were turning their interest to landscape. He was known for his quiet, often atmospheric landscapes of the rivers and mountains of Pennsylvania, New York, New England, and especially the Hudson River Valley. He taught himself how to paint while aprenticing for a leather manufacturer.  Related Paintings of Thomas Doughty :. | Massachusetts | In Nature's Wonderland | Scituate Beach | Landscape after Ruisdael | In Nature's Wonderland |
Related Artists:
Marie Wiegmann
painted Mrs. Carl vom Rath in 1866
Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
LANFRANCO, Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger